I haven’t seen this in a long time—not since I decided to write (but didn’t) The Magnificent Ampersands. Anyway, time for a re-viewing.
The Magnificent Ambersons
In the dawn of a revolution, a young woman fights for land, liberty, and the man she loves.
An enigmatic stranger appears on Ana Martin’s Galveston doorstep, summoned by her father before his untimely death. When Ana boards a train bound for her uncle’s vast hacienda, Eduardo is there to see her safely to her new home in the stark desert landscape of northern Mexico.
Eduardo’s passionate ideals set him at odds with the corrupt Mexican government as his radical writings fuel a revolution and draw Ana closer. But it is Carlos, the daring rodeo rider and freedom fighter, who touches her soul, setting Ana Martin on a journey that will test her strength and forge her destiny.
Back in the before times when ebooks began, I never heard anyone discussing ebooks with an intent to form a new entertainment medium. After all, we had movies and games for a more active or interactive experience. Ebooks were conceived as a way to meet reader and author needs by facilitating the process of publishing and reading. While there have been efforts to add multimedia aspects to ebooks, some readers have found this distracting. At the risk of stating the obvious, most readers are drawn to books over other entertainment media because they simply want to read words.
People love to read books. Ebook readers love the portability of having those books in a device—often their phone—which they can carry anywhere. Ebooks don’t waste paper. Ebooks are more accessible to readers with vision or processing issues by enabling them to read at whatever size or font they’re most comfortable with, or even to have books read to them. Ebook stores have unlimited shelf space, so readers can find the exact book they might want in an instant without having to go to a physical bookstore and special order it. And, while it can be a two-edged sword, there are more of them. This has opened the floodgates of creativity and its distribution, shifting the power of curating reading choices from publishers to readers. In this new, free marketplace, readers no longer have to feel like they’ve gone to a restaurant to make a meal of what someone else ordered for them. This must be disconcerting for publishers.